There are invisible spider strings connecting us, over time and space, to everyone we’ve ever loved. At the moment of his death, Maxwell, dropping his kookaburra form, follows his Grandmother’s string back into that star Country.

Lumachrome glass print, cliche-verre, chemigram. Hail-killed kookaburra, vegemite, wax, seeds and resin, on fibre paper. Exposed 32 hours in autumn light. Details accentuated with eyeliner and white crayon.

Editioned prints, 80cm x 62cm (editions of 10)

Ruth remembered the lit highway, then dark. And in that darkness she was singing, throwing out song like a rope, then following it up, earth pulling away – a song connecting bird and star and land. Everything splits, in the end, becomes tangled in stars.

Lumachrome glass print, cliche-verre, chemigram. Roadkilled Red-tailed black cockatoo, liquid paper, grass seeds and metal chlorides on fibre paper. Exposed 32 hours under marked perspex in desert winter conditions.

Editioned prints, 80cm x 66cm (editions of 10)

Albert, electric in moonlight, passes one last time above the stick insect tribes.

Lumachrome glass print, cliche-verre, chemigram. Roadkill giant stick insect, paint, pine needles and cotton wool on fibre paper. Exposed 24 hours in tropical light.

Editioned prints, 80cm x 53.5cm (editions of 10)

Drifting through Draco, Gwen assumes the form of a Bush Stone Curlew for the last time.

Lumachrome glass print, chemigram. Roadkill Bush Stone Curlew, seeds, mineral salts, eyeliner, on fibre paper, exposed 32 hours in winter light.

Editioned prints, 80cm x 67cm (editions of 10)

Leaving his wheelchair, Emmanuel drifts over Canberra in the body of a jewelled shrike-thrush (for Emmanuel Nunes, 1941-2012).

Lumachrome glass print, cliche-verre, chemigram. Roadkill Grey Shrike-Thrush, seeds, liquid-paper, stalks and petals on fibre paper. Exposed under marked perspex, 26 hours in rain light.

Editioned prints, 80cm x 56cm (editions of 10)

Matthew was scared of dying, but when the firestorms came, when all the hollows filled with smoke, and the horizon glowed, he followed the other bandicoots, softly, into stars.

Lumachrome glass print, chemigram, cliche-verre. Smoke-asphyxiated bandicoot, sand, ash, dirt, copper chlorides, on fibre paper, exposed 32 hours in low uv conditions, natural light.

Editioned prints, 80cm x 49cm (editions of 10)

Two tiny birds and a frog return to their ancestors, over Black Mountain, in a month of drought, fire, hail and plague.

Lumachrome glass print, cliche-verre, chemigram. Three prints collaged together. Hail killed Eastern Yellow Robin and White-throated Gerygone, smoke-killed Pouched Frog, with acacia seeds, on fibre paper. Exposed, respectively, 26 hours, 22 hours and 15 hours under builders plastic, in autumn light.

Editioned prints, 80cm x 52cm (editions of 10)

Zoe descends to comfort her daughters, in a burning country

Lumachrome glass print, cliche-verre, chemigram. Smoke killed baby tiger snake on fibre paper with seeds and honey (for the stars – constellation lines drawn on with pencil) and glass plate. Exposed 32 hours in rain and bushfire smoke, then rubbed with charcoal from the burned trees.

Editioned prints, 80cm x 76cm (editions of 10)